
Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)
© William Ruhlmann /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
From $10.83/month

Tony Bennett, Performer - Ernie Altschuler, Producer - Didier C. Deutsch, Mastering Engineer - Douglas Cross, Composer - Douglas Cross, Lyricist - George Cory, Composer - George Cory, Lyricist - Darcy Proper, Mastering Engineer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett; Arranged & conducted by Marty Manning with Ralph Sharon, Performer - Ernie Altschuler, Producer - Charles Strouse, Composer - Lee Adams, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - P.F. Webster, Composer - P.F. Webster, Lyricist - Sammy Fain, Composer - Sammy Fain, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennet; Conducted by Johnny Mandel with Tommy Flanagan, Piano; Arranged by Al Cohn, Performer - Ernie Altschuler, Producer - Charlie Chaplin, Composer - Tony Bennett, Vocal - John Turner, Lyricist - Johnny Mandel, Conductor - Geoffrey Parsons, Lyricist - Tommy Flanagan, Piano - Al Cohn, Arranger
Originally released 1966. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - C. Porter, Composer - C. Porter, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - J. Latouche, Composer - J. Latouche, Lyricist - Mitch Miller, Producer - T. Fetter, Composer - T. Fetter, Lyricist - Al Ham, Producer - V. Duke, Composer - V. Duke, Lyricist - Count Basie & His Orchestra, Performer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - G. Morgan, Composer - G. Morgan, Lyricist - Ernie Altschuler, Producer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - Harold Rome, Composer - Harold Rome, Lyricist - Ernie Altschuler, Producer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Ernie Altschuler, Producer - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Mitch Miller, Producer - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - J. McCarthy, Composer - J. McCarthy, Lyricist - H. Carroll, Composer - H. Carroll, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - C. Leigh, Composer - C. Leigh, Lyricist - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Album review
Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)
© William Ruhlmann /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:32:14
- Main artists: Tony Bennett
- Composer: Various Composers
- Label: Columbia
- Genre: Pop/Rock International Pop Crooners
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Distinctions:
Improve album information
Why buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.